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- Allie’s in Stitches - Blog of crazy-quilting expert Allison Ann Aller
- Art Gallery Fabrics - Blog of fabric designer Patricia Bravo
- Create Needlepoint! - Blog of needlepoint expert Barbara Bergsten
- Gatherings - Blog of crazy-quilting expert Pat Winter
- Needle ‘n’ Thread - Blog of embroidery expert Mary Corbet
- Needle Tatting and Other Nonsense - Blog of tatting expert Pamela Quevedo (TotusMel)
- Nuts About Needlepoint - Blog of needlepoint expert Janet M. Perry
- Ornaments - Blog of needlepoint expert Orna Willis
- Pin Tangle - Blog of embroidery expert Sharon Boggon (SharonB)
- Plays with Needles - Blog of needleartist Susan Elliott
- Shawkl - Home of the crazy-quilting series “Twelve Dozen Stitches in Twelve Months”
- Spirit Cloth - Blog of quilt artists and innovator Jude Hill
- The Lone Beader - Blog of an anonymous bead-embroidery expert
- Women on Quilts - Blog of quilt historian Kimberly Wulfert
Nov
10
Ruth Rae proves that packaging for an art object becomes part of the piece, dramatically influencing the viewer’s perception of the work. (I don’t know if she set out to prove that; but she did it, anyway.) This lovely ooak mixed-media piece — packaged on the left and unwrapped on the right — is one of a series of small works that Ruth is giving away, for a limited time, with purchases of her book. Find out more from Ruth’s blog.
